Liturgy provokes a confrontation with the vectors of scale and prompts a consideration of mortality. The Aesthetic object is directly constructed to instance this confrontation.
I gave the Tuesday talk at Olmo Ling meditation center last week. This is a recording of that talk, 'Poetry and Practice'.
I talk about music, memory and meaning in a new piece based on a sample of Elvis singing 'unchained melody'.
link to full track 'hands made perfect'
link to 'hands made perfect' patch breakdown video: