One way of describing modular synthesis is to look at the studio as oscillators,  filters and envelopes  modulated by control voltage. To paraphrase Marshal McLuhan we flip to the simultaneous and extend the ganglia of our nervous systems when we compose in the electronic studio.  

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An earlier blog post I wrote about McLuhan: https://www.zenglop.net/zenglop/2013/03/mcluhan-auditory-space.html

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